Zohan stands out because it is arguably the most creative of the bunch. Unlike the lazy green-screen affairs of his later Netflix years, Zohan is grounded in physical comedy. Sandler trained extensively to perform the splits and the acrobatics. The choreography of the hair-cutting scenes is actually impressive. The jokes land because the physicality sells them.

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When the Phantom eventually realizes that "hating Zohan" was his only personality trait, the film lands one of its few genuine emotional beats. It is a comedy about men finding out they are allowed to be something other than soldiers.

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The film commits to its premise with a fearless abandon that modern studio comedies rarely possess. Zohan isn't just good at fighting; he is a cartoon character. He catches bullets with his nostrils. He swims with the agility of a dolphin. But the film’s secret weapon is its setting: New York City.